Thursday, December 27, 2012

The Schmich Suncreen Speech (made famous by Vonnegut)

Decided to see if I could find a link to that Vonnegut speech I was going on and on about yesterday. As it turns out, he didn't write it. It was a newspaper column by a woman named Mary Schmich. The original piece of writing appeared June 1, 1997 in the Chicago Tribune. Mary wrote:

Ladies and gentlemen of the class of 1997:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Oh worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 P.M. on some idle Tuesday.
Do one thing every day that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself, either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders. Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.

She said it was an imaginary speech, what she would say if ever invited to give a commencement address. Here's a link to an article about the hoax, which says that anyone who didn't know about this must have been living in a bomb shelter (The Kurt Vonnegut Sunscreen Speech - Urban Legends). Now I can tell you that I was not living in a bomb shelter and I was not the only one to be duped. The copy of the Vonnegut speech was included in a newsletter sent to my step-dad from his horseshoe group. The postage on the newsletter revealed it was sent out August 23, 1997. Ms. Schmich, the rightful author, revealed she was the actual author in her column on August 3, 1997. She wrote:

I am Kurt Vonnegut.

Oh, Kurt Vonnegut may appear to be a brilliant, revered male novelist. I may appear to be a mediocre and virtually unknown female newspaper columnist. We may appear to have nothing in common but unruly hair.

But out in the lawless swamp of cyberspace, Mr. Vonnegut and I are one. Out there, where any snake can masquerade as king, both of us are the author of a graduation speech that began with the immortal words, "Wear sunscreen."

I was alerted to my bond with Mr. Vonnegut Friday morning by several callers and e-mail correspondents who reported that the sunscreen speech was rocketing through the cyberswamp, from L.A. to New York to Scotland, in a vast e-mail chain letter.

Friends had e-mailed it to friends, who e-mailed it to more friends, all of whom were told it was the commencement address given to the graduating class at the Massachusetts Institute of Technology. The speaker was allegedly Kurt Vonnegut.

Imagine Mr. Vonnegut's surprise. He was not, and never has been, MIT's commencement speaker. Imagine my surprise. I recall composing that little speech one Friday afternoon while high on coffee and M&M's. It appeared in this space on June 1. It included such deep thoughts as "Sing," "Floss," and "Don't mess too much with your hair." It was not art.

But out in the cyberswamp, truth is whatever you say it is, and my simple thoughts on floss and sunscreen were being passed around as Kurt Vonnegut's eternal wisdom.

Poor man. He didn't deserve to have his reputation sullied in this way. So I called a Los Angles book reviewer, with whom I'd never spoken, hoping he could help me find Mr. Vonnegut.

"You mean that thing about sunscreen?" he said when I explained the situation. "I got that. It was brilliant. He didn't write that?"

He didn't know how to find Mr. Vonnegut. I tried MIT.

"You wrote that?" said Lisa Damtoft in the news office. She said MIT had received many calls and e-mails on this year's "sunscreen" commencement speech. But not everyone was sure: Who had been the speaker?

The speaker on June 6 was Kofi Annan, secretary general of the United Nations, who did not, as Mr. Vonnegut and I did in our speech, urge his graduates to "dance, even if you have nowhere to do it but your living room." He didn't mention sunscreen.

As I continued my quest for Mr. Vonnegut -- his publisher had taken the afternoon off, his agent didn't answer -- reports of his "sunscreen" speech kept pouring in.

Fortunately, not everyone who read the speech believed it was Mr. Vonnegut's. "The voice wasn't quite his," sniffed one doubting contributor to a Vonnegut chat group on the Internet. "It was slightly off -- a little too jokey, a little too cute a little too 'Seinfeld.' "

I did, however, finally track down Mr. Vonnegut. He picked up his own phone. He'd heard about the sunscreen speech from his lawyer, from friends, from a women's magazine that wanted to reprint it until he denied he wrote it.

"It was very witty, but it wasn't my wittiness," he generously said.

Reams could be written on the lessons in this episode. Space confines me to two.

One: I should put Kurt Vonnegut's name on my column. It would be like sticking a Calvin Klein label on a pair of K-Mart jeans. Two: Cyberspace, in Mr. Vonnegut's word, is "spooky."
On August 6, 1997, the NYTimes squashed the internet mix-up (A Column That Was Only Written, Never Delivered - New York Times). And this morning, when I realized I made a mistake, I laughed, and thought this mix-up is what made this woman famous. Like she said, she put an expensive label on a cheap product and look what happened. Cyberspace, the world's best rumor monger.

Wednesday, December 26, 2012

Hoarding Gold

Grandpa's specs, letter, Grandma's diploma, and sculpture of Grandma
Remember in the old days, when people wrote handwritten letters?

Over winter break, I started sorting though boxes again in an attempt to further dehoard my space and I found gold, a 4-page handwritten letter from my grandmother. There were postcards from people who were on another continent, a slew of letters from friends (again, before e-mail), photos I took as a child (mostly of animals), a mix of childhood items with my name on them, but the letter was the treasure, the gold.  There is no date on the letter, but from its content, I suspect I am in my sophomore year of college. It is 1993 or 1994 and I am confused about what to do with my life. My grandmother passed in 2004. Finding this letter was like hearing her talk to me again and hearing her say, "I love you," as the written word pulled me back twenty years in time.

In the same little box of memories I found a copy of Kurt Vonnegut's commencement address to MIT from 1997. He offers lots of excellent advice to new graduates, but one quote resonates:

"Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't."

After reading both documents, I thought, I should have listened more to my elders. They knew best. However, I was young and ignorant, as if often the case with youth. I had to be bull-headed and make mistakes on my own. But the truth is, that is how we learn, by making these mistakes. And what I learned is ... wait, Kurt Vonnegut has advice for that too:

"Enjoy the power and beauty of youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine."

Wednesday, November 28, 2012

Self-Portrait (2012)

Self-Portrait (2012) graphite, colored pencil on vellum, 9 x 6 inches



 

Plank Girl (2012)

Plank Girl (2012), graphite and colored pencil on paper, 8 x 10 in

Open Heart (2012)

Open Heart (2012) oil on canvas, 10 x 8 inches

City of Color (2012)

City of Color (2012) oil on canvas, 24 x 18 inches

Thursday, September 27, 2012

Play Ground (2012)

Play Ground (2012) oil on canvas, 18 x 14 inches

Monday, September 24, 2012

Dear Alex


This post is a short tribute to my brother, Alex. He was adopted from Columbia by my father and step-mother and is thirteen years younger than me. Over twenty years have passed since this photo was taken. Since then, I have become a painter and this little boy has become one of my biggest supporters. I am very lucky. Alex is a very empathetic and thoughtful young man. I also recently discovered that he is a gifted writer. I hope he does not mind that I share a portion of his letter. He's only 25 and already so wise. Anyway, this post is for you, Alex, for no particular reason except to say thank you for being a part of my family.

Excerpt of a letter written by me to my brother, Alex:
I am not happy if I am not able to make art. When I started painting, I think I did so instinctively. I wasn’t very happy and I needed an outlet. For a long time, I entertained the idea of being some sort of famous painter, but I know now that was an unrealistic goal. It is hard trying to be a professional artist and making money. However, I still want to exhibit and make new work and share it with others. After years of painting, I have never let go of how it makes me feel to make a piece of art. Being creative gives me peace, relaxation, escape, and joy. So many aspects of life are routine or mundane or stressful. When I am making art, I forget about everything else and I am able to get lost in imagery. It stops me from worrying because I become so focused on the art. In the end, I see a product of self-expression and this is satisfying.

Excerpt from his letter back:
The fact of the matter is that your goals are not absurd … As far as I’m concerned there are people who can sit at a shit job for hours because they value the pay and how it allows them to live a lifestyle at home that they enjoy. For these people this is enough. Then there are others that work jobs they hate because they have to – sadly income is kind of essential to live. We are fortunate to have the means and foundation to pursue education that opens doors into areas we /want/ to work but our journey is kind of vexing as even after the time and effort we put into pursuing our dreams we often find ourselves in fruitless situations. We just happen to have a passion that eclipses any desire of pursuing areas we are not interested in simply because they are easier or pay better. I think it was Confucius who said something to the effect of “the young squander their health to attain wealth and then spend their wealth re-attaining their health and youth.” I guess to me I feel that a career path is a pivotal part of who we are as people. The amount of time and energy spent in a career path has to amount to more than simply income otherwise we are squandering our specific skills and not indulging our interests. Your field may make this difficult, but not impossible. I know you’re probably tired of adversity and pep-talks but to be honest I think there’s something vaguely romantically idealistic and certainly inspiring about your journey.

Friday, September 7, 2012

ColorScrapes Reception tonight!

a wall of "ColorScrapes"

Wednesday, August 22, 2012

Framed and Ready

Ahhhh. Breathe a sigh of relief. My paintings are framed and ready to hang next Friday. They will be up at Fare Restaurant (2028 Fairmount Avenue, Philly) for the entire month of September. Please drop by if you can and take a look in person ... these babies are meant to be seen live.

Saturday, August 4, 2012

Upcoming Art Show!!


Awakening (2012)

Awakening (2012) oil on canvas, 30 x 24 inches


Monday, June 11, 2012

Candyland (2012)

Candyland (2012) oil on canvas, 32 x 20 inches
Finally finished a painting. It depicts a wooded landscape, but it is very much inspired by my love for candy and fairytale places. And I mixed a new color. I call it mint chocolate chip green. If you have ever eaten Turkey Hill's Mint Chocolate Chip Ice Cream, you know the green I'm talking about.


Sunday, May 27, 2012

Studio Progress

Finally had time to paint for two whole days. What a relief. I had missed painting.
I recognize that in my last post I hoped to finish a few pieces and then ... nothing. I have no excuse except to say that I was working, earning money. Painting is no cheap hobby.
I changed the painting from my previous post. I painted out the woman's open, screaming mouth and just left the hand. It's more mysterious this way.

Three works in progress


Saturday, February 25, 2012

In the Studio

New paintings are in the works.  I don't usually show my art during this stage.  Things can get pretty ugly before they get pretty.  However, I cannot contain my excitement about this one.  It mixes realism (my old style) with my current abstract palette knife style.  Expect the final results in a few weeks!

Painting in process on February 24th, 2012

Thursday, February 9, 2012

Kitties Galore

If you happen to be in Washington DC and need some pet food, check out my friend Anna's awesome pet shop, Metro Mutts (www.metromuttsdc.com). My drawing of Romeo, their resident cat, is now hanging in the front window. If you are interested in commissioning me to draw your furry baby, all you need is a good photo. You can email me your photo. I will make a 8 x 10 inch pencil drawing, frame it, and ship it to you. Turnover time is about a month and the cost is $250, which includes shipping. Send me an email if you have any questions: katecicalese@comcast.net. Metro Mutts is located at 508 H St NE, Washington, DC 20002.
My kitten Miso poses with Romeo's portrait.

Tuesday, January 31, 2012

Beach House (2011)

Beach House (2011) oil on canvas, 18 x 14 inches

Vienna (2011)

Vienna (2011) oil on canvas, 20 x 16 inches

Syracuse (2011)

Syracuse (2011) oil on canvas, 18 x 14 inches

Phillyscape (2011)

Phillyscape (2011) oil on canvas, 20 x 16 inches

Ab-Ex with Clyfford Still

The Abstract Expressionists were never a unified voice, and characterizations are invariably fluid, as each artist developed one or more signature styles.  Painters sought to avoid predefined limits and to express the greatest possible range of meaning through their own visual language ... by the mid-1940s Clyfford Still was developing his signature style of colour fields that join in jagged interfaces.
- Image and text from The Art Museum (2011) Phaidon Press, p. 381
Clyfford Still "1957-D No.1" (1957) oil on canvas, 9 ft 5 in x 13 ft 3 in

Friday, January 13, 2012

Ab-Ex with Lee Krasner

This canvas presents a series of tightly packed forms and enclosed shapes, characteristic of the work of Krasner (1908-84).  An invigorating tension exists between the looseness of her expressive brushwork and rhythm, and the underlying sense of order and direction.
- Image and text from The Art Museum (2011) Phaidon Press, p. 381
Lee Krasner -Another Storm (1963) oil on canvas, 7 ft 10 in x 14 ft 8 in

Ab-Ex with Joan Mitchell

The mural-sized paintings of Joan Mitchell (1926-92) echo the scale of other Abstract Expressionists.  Their most distinctive quality is their relationship to landscape, an amalgam [or blend] of Abstract Expressionist concepts and Impressionist and Post-Impressionist ones.  Here, four panels combine to create a flat image that oscillates between four separate views of one large panorama, the effect of which compels us ultimately to dismiss coherent landscape and immerse ourselves in the reality of color.
- Image and text from The Art Museum (2011) Phaidon Press, p. 381
Joan Mitchell - Salut Tom (1979), oil on canvas, about 9 ft by 6 ft 6 in




Wednesday, January 11, 2012

New Body of Work (2011-present)

Since grad school, I have watched my work veer towards the non-objective. I can't explain it in words just yet, but Georges Braque (1882-1963) can. In 1955, he said:
"I have made a very great discovery - I no longer believe in anything. Objects do not exist for me except if there is a harmonious relationship between them, and also between them and myself. When one arrives at this harmony, one arrives at a space of intellectual nothingness. In this way, everything becomes possible, everything becomes right, and life is an eternal revelation. That is true poetry."
- quote from The Art Museum (2011) Phaidon Press, p. 372

Photo taken inside studio on 1-11-2011